Oulu, Finland’s Verikalpa are ready to unleash their freshly brewed “beer-drenched troll metal” with Tuoppitanssi, due in nine days on February 21 via Italy’s Scarlet Records. Verikalpa’s most recent single, “Nalulattujen Vaellus”, will appear on the album, and it gives listeners a taste of what to expect for the group’s sophomore full length. The band’s
Swiss folk metal frontrunners Eluveitie will make a two-night appearance in NYC on September 28 and 29, 2020 at the Gramercy Theatre. The nine-piece last performed in the Big Apple on October 14, 2019 at the now-defunct Playstation Theater alongside Finland’s Korpiklaani. A Nuclear Blast press release has touted the upcoming tour as a “victory
Ensiferum’s lively gig at New York City’s Irving Plaza was Metal Solstice’s first show of the year, so it was only fitting that their Brooklyn show closed out 2019 with Aenimus, Abigail Williams, and Kalmah in tow. It was Aenimus’ second time in the five boroughs in 2019; their first appearance supported Hypocrisy and Fleshgod
Metal Solstice witnessed Vorna in action on their recent tour, celebrating the autumn release of full-length Sateet palata saavat on Lifeforce Records. Their Helsinki stop at On The Rocks fell on the same night as Turbonegro’s performance in town, but they still nearly sold out the venue, an intimate stage for the band alongside Kaunis
New York City’s boundless options for metal shows on any given evening can be helpful and frustrating in equal parts. For example, if you have to miss a performance by your favorite band, barring anything catastrophic, they’ll be back in town. Other nights, you’re faced with impossible choices, such as selecting from Slayer and Primus,
It’s Vorna’s season now; with the September 27th release of Sateet palata saavat, translated in English as “the rains will return”, they gift Finnish metal with insight into the climate and imagery of autumn and beyond. The band, comprised of Vesa Salovaara (vocals), Niilo Könönen (bass), Arttu Järvisalo (lead guitar), Saku Myyryläinen (keyboards), Henri Lammintausta
Giving birth to a band is no small amount of work, and Helsinki’s Voidfallen have chosen an interesting time to join the Finnish metal landscape. In an environment brimming with tenured bands and their decades-long fan bases, kicking off a new act can be, in some ways, courageous. The melodic death metal five-piece, comprised of
“New York Fucking City” is typically a special stop on a metal band’s tour, for many reasons. Besides its obvious esteem and a population of fans much larger than elsewhere along a typical North American tour route, it often makes financial sense as the starting of ending point, connecting bands back to their far-flung home
